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Since the advent of the cinema, Jesus has frequently appeared in our movie houses and on our television screens. Indeed, it may well be that more people worldwide know about Jesus and his life story from the movies than from any other medium. Indeed, Jesus' story has been adapted dozens of times throughout the history of commercial cinema, from the 1912 silent From the Manger to the Cross to Mel Gibson's 2004 The Passion of the Christ. No doubt there are more to come.Drawing on a broad range of movies, biblical scholar Adele Reinhartz traces the way in which Jesus of Nazareth has become Jesus of Hollywood. She argues that Jesus films both reflect and influence cultural perceptions of Jesus and the other figures in his story. She focuses on the cinematic interpretation of Jesus' relationships with the key people in his life: his family, his friends, and his foes. She examines how these films address theological issues, such as Jesus' identity as both human and divine, political issues, such as the role of the individual in society and the possibility of freedom under political oppression, social issues, such as gender roles and hierarchies, and personal issues, such as the nature of friendship and human sexuality. Reinhartz's study of Jesus' celluloid incarnations shows how Jesus movies reshape the past in the image of the present. Despite society's profound interest in Jesus as a religious and historical figure, Jesus movies are fascinating not as history but as mirrors of the concerns, anxieties, and values of our own era. As the story of Jesus continues to capture the imagination of filmmakers and moviegoers, he remains as significant a cultural figure today as he was 2000 years ago.

Gale Stokes' The Walls Came Tumbling Down offered one of the most respected interpretations of the East European revolutions of 1989 for many years. It provides a sweeping yet vivid narrative of the two decades of developments that led from the Prague Spring of 1968 to the collapse of communism in 1989. Highlights of that narrative include, among other things, discussions of Solidarity and civil society in Poland, Charter 77 and the Velvet Revolution in Czechoslovakia, and the bizarre regime of Romania's Nikolae Ceauescu and his violent downfall. In this second edition, now appropriately subtitled Collapse and Rebirth in Eastern Europe, Stokes not only has revised these portions of the book in the light of recent scholarship, but has added three new chapters covering the post-communist period, including analyses of the unification of Germany and the collapse of the Soviet Union, narratives of the admission of many of the countries of the region to the European Union, and discussion of the unfortunate outcomes of the Wars of Yugoslav Succession in the Western Balkans.